Principal Investigator and Coordinator
Maria Alessandra Bilotta – Faculdade de Ciências Sociais e Humanas (NOVA FCSH), Instituto de Estudos Medievais (IEM), Lisboa
Research areas in IUS ILLUMINATUM: Illuminated legal manuscripts of the French Midi; illuminated legal manuscripts preserved in Portugal; circulation of legal manuscripts north of the Mediterranean (South of France; Italian Peninsula, Iberian Peninsula)
Maria Alessandra Bilotta is an art historian, medievalist, researcher of the Faculty of Social and Human Sciences at NOVA University in Lisbon and integrated researcher at the Institute for Medieval Studies (IEM) of the same university. Currently, her research focuses on the medieval illuminated legal manuscripts from the South of France, on illuminated medieval legal manuscripts preserved in Portugal, and on the circulation of foreign legal manuscripts (particularly from southern France) in the Iberian Peninsula. Her research interests also include the study of medieval liturgical manuscripts, the analysis of artistic transfers, and the archaeological aspects of medieval manuscripts. Her doctoral thesis focused on the production of illuminated manuscripts for use of the papacy during the Middle Ages (6th-13th centuries) and was published by the Vatican Library in 2011. She was scientific curator of the following exhibitions: “Le parement d’autel des Cordeliers de Toulouse: Anatomie d’un chef d’oeuvre du XIVe siècle” (Toulouse, Musée Paul Dupuy, 13 March – 13 June 2012); “A Circulação do Direito na Europa Medieval: Manuscritos Jurídicos Europeus em Bibliotecas portuguesas” (Lisbon, Biblioteca Nacional de Portugal, 26 of February – 31 of May of 2016). Among the several international workshops and conferences she has organised and coordinated are: “O estudo dos manuscritos iluminados e dos artefactos na Arqueologia da Idade Média: metodologias em comparação” (Lisbon, February 13, 2015); “Circulations juridiques et pratiques artistiques, Intelectuais et culturelles en Europe au Moyen Âge (XIIIe – XVe siècle) – Medieval Europe in Motion 3” (Lisbon, FCSH-UNL – National Library of Portugal, 25-27 February 2016).
Susan L’Engle – Saint Louis University
Susan L’Engle (Ph.D. Art History, Institute of Fine Arts, New York University, 2000) is an art historian and manuscript scholar, specializing in the codicology and illumination of medieval manuscripts of canon and Roman law. She is currently writing a book that explores pedagogical methods in the study of Roman law as evidenced by readers’ textbook annotations. Recent publications include “Three Manuscripts of the Roman de Troie: Codicology, Pictorial Cycles, and Patronage,” in Allen Mären ein Herr = Lord of all Tales: Ritterliches Troja in illuminierten Handschriften = Chivalric Troy in Illuminated Manuscripts, ed. Constanza Cipollaro & Michael Viktor Schwarz (Vienna, 2017), 67–128; “Staging the Liber Regulae,” in Caritas im Schatten von Sankt Peter, Der Liber Regulae des Hospitals Santo Spirito in Sassia: Eine Prachthandschrift des 14. Jahrhunderts, ed. Gisela Drossbach and Gerhard Wolf, Studien zur Geschichte des Spital-, Wohlfahrts- und Gesundheitswesens 11 (Regensburg, 2015), 91–103, and “The Pro-active Reader: Learning to Learn the Law,” in Medieval Manuscripts, Their Makers and Users: A Special Issue of Viator in Honor of Richard and Mary Rouse (Turnhout, 2011), 51–75. Employed from 2002–2017 in the Vatican Film Library at Saint Louis University (SLU), she edited and co-edited the journal Manuscripta, curated annual manuscript exhibitions from the VFL teaching collection, and taught codicology and manuscript studies to students and professionals. Recently retired, she is now affiliated with the SLU Center for Medieval and Renaissance Studies, where she continues to publish the triannual newsletter Manuscripts on My Mind and to organize and run the annual Saint Louis Conference on Manuscript Studies.
Robert Gibbs – University of Glasgow
Robert J. Gibbs is professor emeritus and an Honorary Senior Research Fellow of the School of Culture and Creative Arts, University of Glasgow, where he still lives. His research was principally devoted to Bolognese painting, 1200-1425, illuminated law manuscripts, and Italian medieval art as a whole. The recognition of the nature and meaning of dress in medieval art remains a major concern of his, as well as the problem of Ferrer Bassa and Pedralbes, medieval art in Scotland and the Scottish 19th-century Gothic architect F. T. Pilkington. His books include Flavio Boggi, Robert Gibbs, Lippo di Dalmasio, “Assai valente pittore”, Bologna, 20138; Susan L’ Engle and Robert Gibbs, Illuminating the Law: Medieval Legal Manuscripts in Cambridge Collections, and Tomaso da Modena: Painting in Emilia and the March of Treviso, 1340-80, Cambridge University Press, 1989. His current concerns include medieval personal seals and the independence of Scotland within Europe.
Gaspar Coll i Rosell – Universitat de Barcelona
Gaspar Coll obtained with distinction the Licentiate (1984) and the Doctorate (1992). He is a Postgraduate from the UB in Academic Policy (2005). He was a Fellow F.P.I. (1987-1989) and he was Associate Professor and Interim Head (1989-1995), and since then Head of the university. He teaches at all academic levels and carries on research in the fields of Ancient and Medieval Art and Cultural Heritage. He is a member of the consolidated research group E.M.A.C. (Romanesque and Gothic) and has participated in several competitive projects, for instance the latest was on Justice and Judgment in medieval and modern art (2017-2020). He was a member (2016 to 2019) of the European project Accomplish on the social impact of the Humanities. He published the doctoral thesis Manuscrits Jurídics i Il·luminació (Curial – Abadia de Montserrat, 1995) and is the author of numerous articles, book chapters and lectures at specialized academic congresses. He has directed several doctoral theses on manuscripts and medieval art. He has participated in several teaching innovation projects at the UB and MQR. He was the Coordinator of the Libro Blanco para el Grado de Historia del Arte (ANECA, 2004-2005) and of the Memòria del Grau d’Història de l’Art at the UB (2008-2009). Since 2005 he has been a member of the Faculty and the Governing Council of the UB. He also was a member of the Board of the Faculty of Geography and History (from 1998 to 2016). Academic responsibilities carried out: Head of Studies, Vice Dean and Deputy Vice Minister for Planning and Academic Planning (1998-2008). Director of the Department of Art History (2009 -2013). He was a member of the Board of Directors of the UB and was delegated the Commissioner of the rector of the Humanities and Social Sciences Park during 2012-2016. He will retire in September 2019.
Arkadiusz Adamczuk – Katolicki Uniwersytet Lubelski Jana Pawła II, Lublin
Research areas in IUS ILLUMINATUM: Legal illuminated manuscripts of Poland
Arkadiusz Adamczuk is an art historian, born in 1974. He studied at the Catholic University of Lublin “John Paul II” where he defended his doctoral thesis in 2016. He works at the Library of the Catholic University of Lublin, in the Department of Special Collections. He was a recipient of scholarships from the Catholic University in Leuven in 2002, the Catholic Institute of Paris in 2005 and the Catholic University of the Sacred Heart in Milan in 2015. He was trainee at the National Library of France and the University Library of Milan. His scientific interests include the iconography and the iconology of the law and the illustration of ancient books; and also the iconographic aspect of comic books and of the pilgrimage to Santiago de Compostela (which he has made twice). He is the author of the book Prawo i obraz w miniatorstwie średniowiecznym, Iluminowany rękopis Concordia discordantium canonum Gracjana w zbiorach KUL BU, Lublin 2009. (The law and the image in medieval illumination. The illuminated manuscript of Gratian’s “Concordia discordantium canonum” in the collection of the Library of the Catholic University of Lublin) and of several articles published in scientific journals. He is currently working on the Polish translation and edition of the fifth book of the Liber Calixtinus, comprising a guide for the Route to Santiago de Compostela
Maria Teresa Chicote Pompanin – Durham University
Research areas in IUS ILLUMINATUM: Archival legal documents, preserved in Spain
María Teresa is Postdoctoral Research Associate at Durham University. She completed a PhD thesis at the Warburg Institute (2020) entitled “Patronage and Historical Memories in Castile: The Marquises of Villena at the Dawn of the Early Modern Period (1445-1529) which she will submit at the end of 2019. During the last academic years, she has been teaching at the Art History Department of the University College London (2017/2019). She previously earned the MA in Art History and Renaissance Culture at the Warburg Institute (2014) and the BA in Art History at the Complutense University of Madrid (2013). Her research has two main areas of interest. On the one hand, she investigates the role played by cultural patronage and historical memory in Castile at the dawn of the early modern period. On the other, she studies the creation, evolution and meaning of illuminated official charts and documents in late-medieval and early-modern Castile. Her research has been supported by the London Arts and Humanities Partnership (2016/2018) and by a Postgraduate Scholarship from La Caixa Foundation (2015/2016). She has also been a recipient of fellowships at the Casa de Velázquez (2109), Spanish Royal Academy in Rome (2017/2018) and the Complutense University of Madrid (2012/2013). She has been granted the bursaries Coll y Cortés (2017), Erasmus+ (2017), Juan Facundo Riaño Essay Medal (2014), Academic Excellence of the Region of Madrid (2011/2012) and Ortega y Gasset (2009). Recently she has published her findings in research journals (Goya, Journal of Church History and Religious Culture, Codex Aquilarensis) and in collective books. She has been co-organiser of the conferences “Cultural Encounters. Tensions and Polarities of Transmission from the Late Middle Ages to the Enlightenment” (2016) and “(Im)mobility: Dialectics of Movement, Power and Resistance” (2017). She also curated the exhibition “Rescue and Renewal: The Warburg Institute during WWII” (2017), and she is a cofounder of the research seminars series Maius Workshop: Young Scholars of Medieval and Early Modern Hispanic Art and History.
Gianluca Del Monaco – Università di Bologna
Research area in IUS ILLUMINATUM: Bolognese legal manuscripts
Gianluca del Monaco received a PhD in the History of Art and was a research fellow at the Roberto Longhi Foundation in Florence and the Department of Arts, Bologna University (Italy). His studies have been mainly devoted to Bolognese painting and illumination of the fourteenth century. Del Monaco has recently published two academic monographs on these topics Simone di Filippo detto “dei Crocifissi”: Pittura e devozione nel secondo Trecento Bolognese (Padua, Il Poligrafo, 2018) and L’Illustratore e la miniatura nei manoscritti universitari bolognesi del Trecento (Bologna, Bononia University Press, 2018), as well as several articles and contributions. He has given papers at international conferences in Europe and the United States. He is among the awardees of the 2018 Getty/ACLS Postdoctoral Fellowships in the History of Art, developing a project on the origins of the illustration of the Decretum Gratiani. Furthermore, he is an adjunct professor in History of Art Criticism and History of Medieval Illumination at Bologna University. He has been a member of the “Società Internazionale di Storia della Miniatura” since 2015. His research area in “IUS ILLUMINATUM” focuses on the illumination of Bolognese legal manuscripts. Essential Bibliography: “Una miniatura giuridica bolognese della metà del Trecento nella fototeca della Fondazione Longhi,” Paragone. Arte LXVI (2015) 119, pp. 37-41; “Illuminated Bolognese Legal Manuscripts and Angevin Regnum Siciliae: The Advocates Volumen parvum in Edinburgh (National Library of Scotland, Advocates MS 10.1.4[i])” in Convivium: Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. The Italian South: Transcultural Perspectives 500-1500 V/1 (2018), edited by Elisabetta Scirocco and Gerhard Wolf, with the collaboration of Karolina Foletti, pp. 159-169; L’Illustratore e la miniatura nei manoscritti universitari bolognesi del Trecento (Bologna, Bononia University Press, 2018); Simone di Filippo detto “dei Crocifissi”. Pittura e devozione nel secondo Trecento bolognese (Padua, Il Poligrafo, 2018).
Matteo Ferrari – Saprat – Savoir et pratiques du Moyen Age au XIXe siècle (Paris, Ecole pratique d’hautes études) – PaTHs-PraME (Université de Namur)
Research areas in IUS ILLUMINATUM: Heraldry in Illuminated legal manuscripts
Matteo Ferrari is historian of medieval art working especially on heraldry and on the use of the image in political communication. He’s obtained his PhD in 2011 from the Scuola Normale Superiore of Pise, with prof. Maria Monica Donato, with a thesis dedicated to paintings in communal palaces in Northern Italy during the 13th-14th centuries. He has been temporary researcher at the University La Sapienza in Rome (2011-12) and at the Scuola Normale in Pisa (2012-13), where he has worked on the use of images as form of visual communication for the Italian political authorities in the Late Middle Ages. As a post-doctoral fellow and temporary researcher at the Centre d’études supérieures de civilisation médiévale at the University of Poitiers (2014-2017), he undertook research on the uses of heraldic images in monumental space. With prof. Laurent Hablot, he contributed to the development of the project ArmmA. Armorial monumental du Moyen Âge (Paris, EPHE-Saprat), which aims to establish a critical inventory of all monumental heraldic decorations produced in France between the second half of the 12th century and the first half of the 16th century. He is the author of numerous works on iconic communication in Italian medieval towns and, in particular, on the forms and functions of monumental heraldry during the Middle Ages in France and Italy. Currently he’s associate member of the Saprat – Savoir et pratiques du Moyen Age au XIXe siècle (Paris, Ecole pratique d’hautes études) and scientific collaborator of PaTHs-PraME (Université de Namur).
Ángel Fuentes Ortiz – Universidad Complutense de Madrid (UCM)
Research area in IUS ILLUMINATUM: Archival legal documents, preserved in Spain
Ángel Fuentes is a predoctoral researcher at the Universidad Complutense de Madrid carrying out a project in the department of Art History under the supervision of Juan Carlos Ruiz Souza. His PhD thesis analyses the Hieronymite monasteries as spaces of memory and their cultural and artistic production at the time of the Trastámara dynasty. In recent years he has adopted an interdisciplinary approach in the investigation of the illuminated documents produced in medieval Castile. At the moment, he is a member of the research group “Arquitectura e integración de las artes en la Edad Media (Ref. UCM. 941377)” of the Universidad Complutense and of the projects “EVA. Espacios virtuales de la alteridad (HUM-T1/5650)” and “Promoción artística y cultura cortesana en Castilla durante los reinados de Juan II y Enrique IV (1405-1474) (HAR2017-82170-P)”. Earlier, he participated in the research project “Al-Andalus, Hispanic Kingdoms and Egypt: Art, Power and Knowledge in the medieval Mediterranean Sea: Exchange networks and their impact on visual culture (HAR2013-45578-R)”. His research has been supported by two fellowships at the Instituto de Estudos Medievais in Lisbon (2017) and the Warburg Institute in London (2019). In addition, he has coordinated the international congress DESENHAR A ETERNIDADE. Cenografías Funerárias na Ibérica Medieval (Lisbon and Batalha, 2018) and he is a cofounder of the Encuentros NOVA-Complutense sobre Iberia Medieval. Amongst his latest publications: “La capilla de Gonzalo de Illescas en el Monasterio de Guadalupe. Un proyecto de Egas Cueman recuperado” (Archivo Español de Arte, nº 358, 2017), “Fernando Yáñez de Figueroa, el arzobispo Pedro Tenorio y las pinturas trecentistas de la Granja de Mirabel,” GOYA: Revista de Arte, nº 360, 2017 and “Illuminating aristocracy. Decorated documents of mayorazgo in medieval Castile” (Medieval Europe in Motion III, 2019, in press), the latter in collaboration with M. T. Chicote.
Samuel Gras – Université Lille 3
Research areas in IUS ILLUMINATUM: illuminated legal manuscripts of the Loire valley and illuminated legal manuscripts preserved in the National Library of Spain
Andrea Improta – Università degli Studi dell’Aquila
Research area in IUS ILLUMINATUM: Angevin illuminated legal manuscripts
Andrea Improta obtained his PhD in 2013 at the Second University of Naples, under supervision of Prof. A. Perriccioli Saggese, with the thesis «Per la storia delle biblioteche conventuali a Napoli: codici e incunaboli miniati da San Domenico Maggiore (secc. XII-XVI)» He continued his studies with a temporary research fellowship at the same University (2012/2013), and in Paris with a post-doctoral fellowship “Research in Paris 2013” (2013/2014). His research focuses on illuminated manuscripts in Naples and southern Italy during the Angevin Kingdom in the 13th and 14th centuries. His interests also concern illuminated manuscripts of the early modern age in southern Italy (15th to 17th century). Currently he is a temporary research fellow at the University of L’Aquila and he is working on the catalogue of gothic illuminated manuscripts in the National Library “Vittorio Emanuele III” of Naples. In the context of Ius Illuminatum, he will focus on legal illuminated manuscripts held in southern Italian libraries and on legal codices produced in Naples in the 13th and 14th centuries. His publications include: “Aggiunte alla miniatura napoletana del Trecento: i corali dell’Archivio Capitolare di Udine,” Rivista di storia della miniatura 17 (2013) pp. 113-121; “Da Cristoforo Orimina alla bottega del Maestro della Crocifissione del messale di Avignone: il Breviario 407 della Biblioteca Casanatense,” in Napoli Nobilissima, s. VI, 5, 2014 (2015), pp. 81-88; «Arma nostra sunt libri»: Manoscritti e incunaboli miniati dalla biblioteca di San Domenico Maggiore di Napoli” Biblioteca di Memorie Domenicane 12 (Nerbini Editore, Firenze 2015); “Un nuovo antifonario per Santa Maria della Sanità e una proposta per il soggiorno napoletano di Paolo Bramè,” in Paragone. Arte, anno LXVIII, Terza serie, Nr. 133 (807), Maggio 2017, pp. 35-46.
Jorge Jiménez López – Universidad de Salamanca
Research area in IUS ILLUMINATUM: illuminated legal manuscripts held in the library of the Colegio Mayor de san Bartolomé in Salamanca
Jorge Jiménez López has a Degree in History of Art (2013) and a Master’s Degree in Advanced Studies in Art History (2014) both from the University of Salamanca. Member of the MINECO project, (HAR-201785392-P), “Intermediality and institution. Interartistic relations, literature, audiovisual, plastic arts”, he is a PhD in Medieval History of the University of Salamanca (2018). He held a doctoral thesis on the following theme: “Visual and book culture of the arzobispo Diego de Anaya y of the Colegio Mayor de san Bartolomé between 1433 and 1440” under the direction of professor Lucía Lahoz. The main line of research focuses on the history of books and university libraries, particular ones in the University of Salamanca. He dealt with the iconography of Judgment in sculpture in the following two contributions: “Un lugar intermedio entre los Juicios. La Puerta del Juicio Final de la Catedral de Tudela”, Lienzos del Recuerdo, Estudios en homenaje a José Mª Martínez Frías, Universidad de Salamanca, 2016, pp. 265-276; “La Puerta del Juicio Final de la Catedral de Tudela. Limites visuales, historiográficos y topográficos” Principe de Viana, mayo 2019. In the context of Ius Illuminatum, he will focus on legal illuminated manuscripts held in the library of the Colegio Mayor de san Bartolomé in Salamanca.
Robert A. Maxwell – Institute of Fine Arts, New York University
Personal Page on Academia.edu
Bibliography until 2019
Research Areas in IUS ILLUMINATUM: illuminated charters, c.1000-1200 and legal manuscripts, c.850-1200 (Leges Barbarorum); illuminated cartularies; visual translation of orality and gesture in law.
Robert A. Maxwell is an art historian specializing in the Romanesque and Early Gothic period. His earlier research focused primarily on architecture, sculpture and urbanism, as well as medieval art history’s historiography. While still actively working in those areas, he is at work on two projects concerning legal manuscripts. The first project, nearly completed, is a study of illuminated cartularies from the Romanesque period, with a focus on the translation of orality and custom into visual discourse; the study considers approximately three dozen manuscripts from across Europe, with a focus on particularly Spanish, French, and German examples. The second project concerns a dozen illuminated manuscripts of the Leges Barbarorum and broader issues in the rise of legal illumination in general in the Carolingian period. Some of his publications on legal and historical illumination include: “Chartres décorées à l’époque romane,” Bibliothèque de l’Ecole des Chartes 169 (2011); “Visual Argument and the Interpretation of Dreams in the Illuminated Chronicle of John of Worcester,” The Medieval Chronicle 8 (2014); “The Cartulary of Baignes and the Problem of Aquitainian Illumination in the Twelfth Century,” Mediaeval Studies 76 (2014); and “Pictura como Fictura: autenticidad artística y duplicidad en Raluy,” Romanico 20 (2015). Other publications include The Art of Medieval Urbanism: Parthenay in Romanesque Aquitaine (2007); Representing History, 900-1300: Art, Music, History (2011), and with K. Ambrose, Current Directions in Eleventh- and Twelfth-Century Sculpture Studies (2011).
Jaime Moraleda – Facultad de Humanidades de Toledo, Universidad de Castilla- La Mancha
Research area in IUS ILLUMINATUM: legal illuminated manuscripts produced in Toledo during XV and XVI centuries
Jaime Moraleda has a degree in Humanities (2003) and a Doctorate in Art History (2016) from the University of Castilla-La Mancha, with a thesis dedicated to liturgical codices illuminated for the cathedral of Toledo during the 16th century. He was a temporary researcher at the Hispanic Society of America in 2008 and 2011), where he studied the illuminated Spanish codices in its library, with special attention to iconography and changes in decoration between the 15th and 16th centuries. Since 2014 he has been associate professor in the Faculty of Humanities of Toledo University (Castilla-La Mancha), carrying out a project in the department of Art History under the supervision of professor Palma Martínez-Burgos García. His latest publications include: “El arte de la miniatura en la Toledo del Greco,” El Greco en su IV Centenario: Patrimonio hispánico y diálogo intercultural (2016); “El arte de la miniatura como transmisor de modelos iconográficos y repertorios estéticos.” De Sur a Sur. Intercambios artísticos y relaciones culturales (Granada, 2017); “El renacimiento del códice minado en la colección de la Hispanic Society of America: del mecenazgo al coleccionismo,” in the II Congreso Internacional: Coleccionismo, mecenazgo y mercado artístico (Sevilla. 2018); and Los códices iluminados para la catedral de Toledo: El esplendor del arte de la miniatura (2018). Within Ius Illuminatum, he will focus on legal illuminated manuscripts, held in public and private collections, produced in Toledo or in connection with the city and its patrons, during the 15th and 16th centuries.
Ángel Pazos-López – Universidad Complutense de Madrid (UCM)
Research area in IUS ILLUMINATUM: Liturgical iconography in legal manuscripts
Ángel Pazos-López is a PhD Candidate at the Art History Department of the Complutense University of Madrid, where he is a research assistant with a PhD Fellowship. He graduated in History of Art from the Complutense University and he received a MA with honours in Religions and Culture from Sapienza Università di Roma. He was also trained in Liturgy at the Pontificio Istituto Liturgico Sant’Anselmo, where he developed his research and teaching experience. He is currently preparing his PhD thesis on the Theory of Art, Iconography and Liturgy in the Middle Ages, a subject on which he has given courses, lectures and papers at scientific meetings. At the same time, he has been studying theoretical, methodological and historiographical questions in the history of art, above all in the the field of the relationship between liturgy, visual culture and iconography. He has spent research internships in Rome (2015), Barcelona (2016), Buenos Aires (2017), Lisbon (2018) and Pisa (2019), and he was a visiting lecturer at the University of Buenos Aires (2017) and at the Ca’ Foscari University of Venezia (2019). He participates in research projects on Medieval Art and Museology, and he also collaborates in projects on educational innovation, and he is part of the CAPIRE Research Group, as academic manager, and assistant editor of Eikón / Imago Scientific Journal. He was the head of the Art and Culture Department of the Cartuja de Miraflores (Burgos) and has been the quality assurance evaluator at Spanish universities and a liturgical advisor in several institutions.
Jorge Prádanos Fernández – Universidad Complutense de Madrid (UCM)
Research area in IUS ILLUMINATUM: The illuminations in the manuscripts of the seven “Partidas”
Jorge Prádanos Fernández was graduated in Art History from the Universidad de Valladolid in 2015 and as Master in Advanced Studies in Spanish Art History from the Universidad Complutense de Madrid (UCM) in 2016. He is currently a doctoral student at the UCM, preparing a thesis with the title “«A servicio de Dios y por comunal de todos hacemos este libro». Análisis y contexto de la iluminación de los manuscritos de las Siete Partidas” under the direction of Dr. Laura Fernández Fernández; the focus of the thesis is on the medieval manuscripts of the Siete Partidas of Alfonso X; he is analyzing the illuminated images in the manuscripts of this law code and their relationship with other Castilian and European medieval legal codes and with issues of iconography and patronage. He currently holds a Fellowship for the Training of University Teachers (No. FPU17 / 01205 by resolution of July 26, 2018 of the Ministry of Education and Vocational Training) and since October 2018 he has been part of the Department of Art History of the UCM as a predoctoral researcher. He has participated in national congresses and symposia related to the lines of study of his thesis, as well as to methodological issues. In 2017 he received an “ERASMUS + Internship” scholarship for a stay between April and June 2018 at the Spanish School of History and Archeology in Rome (EEHAR), aimed at consulting manuscripts in libraries and archives of the city. Among his publications: “El libro medieval: del manuscrito a la era de internet,” Revista Historia Autónoma, 11 (2017) pp. 325-328. “Aproximación a la iluminación de los manuscritos de las Siete Partidas,” en J. M. Fradejas Rueda (ed.), 7PartidasDigital. Edición crítica digital de las «Siete Partidas», (2018.11.29). Publication in progress: “Memoria y linaje en los textos jurídicos. La iconografía de los árboles de consanguinidad y afinidad en las Siete Partidas,” Revista de Estudios Medievales Hispánicos, 6 (2019).
Nuria Ramón-Marqués – Universitat Politècnica de València
Bibliography until 2019
Research area in IUS ILLUMINATUM: Legal illuminated manuscripts in Valencia (14th and 15th centuries)
Team Members – PhD Students
Marta Guagnozzi – Faculdade de Ciências Sociais e Humanas (NOVA FCSH), Instituto de Estudos Medievais (IEM), Lisboa
Research areas in IUS ILLUMINATUM: Legal manuscripts in the Italian area of Abruzzo and the ones from the library of John of Capistan
From 2019 Marta Guagnozzi is a PhD student in History of Medieval Illuminated Manuscripts under the supervision of Maria Alessandra Bilotta (IEM-FCSH/NOVA), at the NOVA School of Social Sciences and Humanities. She pursued a the MA in Art History, Curatorship and Renaissance Culture at The Warburg Institute (2018) and her dissertation title was Italian art dealers: promoting and framing paintings in 19th and 20th century. She previously completed a Laurea Magistrale degree in Conservazione dei Beni Culturali (Medieval Art) at the Università degli Studi dell’Aquila (2015) and for her BA she studied at the Università degli Studi di Genova in Conservazione dei Beni Culturali: Contemporary Art History, 2010. Afterwards she pursued the Master di Primo Livello in Professionisti dell’Informazione Culturale: editoria, ufficio stampa, new media at the Università degli Studi di Urbino “Carlo Bo” (2011/2012). During her academic studies she focused her interest on illuminated manuscripts and on the relationship between art history, cultural heritage and catastrophic events, such as earthquakes. She lectured at the Summer School of the Kunsthistorisches Institut in Florenz “L’Aquila. The Future of the historical center: a challenge for Art History” (8-15 September 2014) and she was a fellow researcher within the multidisciplinary group “Topologie del Terremoto” (2016) in the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, coordinated by Dr. Carmen Belmonte, Dr. Elisabetta Scirocco, and Prof. Gerhard Wolf. Her research focuses on three main areas: illuminated manuscripts; the Franciscan Order: the figure of John of Capistran and his library in Abruzzo; the cultural exchanges and practices of collecting between Italy and Great Britain across the late Ottocento and the early Novecento. On these topics she has published: “Giovanni da Capestrano negli alberi serafici francescani” in Giovanni da Capestrano. Iconografia di un predicatore osservante dalle origini alla canonizzazione (1456-1690), edited by L. Pezzuto (Roma: Universitalia 2016) 273-276 “Due codici giuridici miniati dalla “pulchra libraria” di Capestrano alla Biblioteca Nazionale di Napoli,” Rivista di Storia della Miniatura 21 (2017) 80-91. Within the research group “Ius Illuminatum” she covers illuminated legal manuscripts from the Abruzzo area in Italy.
Fabio Barberini – Faculdade de Ciências Sociais e Humanas (NOVA FCSH), Instituto de Estudos Medievais (IEM), Lisboa
Research areas in IUS ILLUMINATUM: the study of textual tradition and linguistics analysis of Lo Codi.
Fabio Barberini is currently a research fellow at Nova University in Lisbon and an associate member of the IEM (Institute for Medieval Studies). He carries out his research activity within the project Do canto à escrita – produção material e percursos da lírica galego-portuguesa (PTDC/LLT-EGL/30984/2017). He’obtained his PhD in Romance Philology (curriculum Old French and Provençal Languages and Literatures) in 2014 from the University of Messina, with professors Saverio Guida and Anna Ferrari, his thesis on the political poetry of Provençal troubadours and its relations to medieval Latin epistolography. His studies have been mainly devoted to Old French, Provençal and Galician-Portuguese lyric (critical editions and studies of textual transmission); Anglo-Norman literature; and relations between Jews and Christians in France and England in the 13th to 15th centuries. Since 2013 he has been a member of the Editorial Board of Cultura Neolatina (international journal of Romance Philology). Since 2019 he has been President of JCDO (Jeunes Chercheurs en Domaine Occitan). As a post-doctoral fellow and temporary researcher at the CNRS and at the University of Toulouse 2 “Jean Jaurès” (2016-2017), he undertook research within the projects Manuscript Heritage of the Troubadours (MHT). Le Patrimoine manuscrit des Troubadours en pays d’Oc and Édition numérique du Chansonnier provençal R. He was a research fellow at the University of Chieti-Pescara (2018) within the project CAO – Corpus dell’Antico Occitanico (diplomatic transcription and critical edition of the Troubadour manuscript f: Paris, BnF fr. 12472). He contributed to the development of the projects Mecenazgo y creación literaria en la corte catalano-aragonesa (s. XIII-XV): evolución, contexto y biblioteca digital de referencia and Troubadours and European Identity: The Role of Catalan Courts (2018) at the University of Girona and Institut de Llengua i Cultura Catalanes. His research in IUS ILLUMINATUM focuses on the study of textual tradition and the linguistic analysis of Lo Codi.
Sofia Orsino – Università di Firenze
Bibliography until 2020
Research areas in IUS ILLUMINATUM:
Sofia Orsino graduated in Classical Philology from the University of Florence (Scuola di Studi Umanistici – LM 15 “Filologia Letteratura e Storia dell’Antichità”) in 2017, with a dissertation in Latin Paleography, under the supervision of Professor Teresa De Robertis and Professor Stefano Zamponi. She is currently a PhD student at the same university (SAGAS – “Storia, Archeologia, Geografia, Arte e Spettacolo” department), working on a research project entitled “La biblioteca della Badia Fiorentina”, under the supervision of Professor Francesco Salvestrini and Teresa De Robertis. Since 2017 her doctoral work has concerned the reconstruction of the Latin library of the Abbey of Santa Maria, in Florence: she is producing the catalogue of about two hundred Latin manuscripts once owned by that monastery and now dispersed in various libraries. Although she works mainly in Florence, at the Biblioteca Medicea Laurenziana and Biblioteca Nazionale Centrale di Firenze, she has also done research at the Vatican Library, the Bibliothèque nationale de France in Paris, the Bodleian Library in Oxford, the Herzog August Bibliothek in Wolfenbüttel and the Staatsbibliothek in Berlin. In 2019 she discussed a part of her work in a paper (“Produzione e circolazione di manoscritti alla Badia di Santa Maria di Firenze negli anni dell’abate Gomes Eanes”) presented to the international seminar “Humanism and monastic culture in 15th century Florence” (Florence, SAGAS department, September 12th 2019) that she helped organize.
Rafael Ramis-Barceló – Universitat de les Illes Balears
Research areas in IUS ILLUMINATUM:
Rafael Ramis-Barceló (Mallorca, 1983) is Senior Lecturer in Legal History at the University of the Balearic Islands and Deputy Director of Instituto de Estudios Hispánicos en la Modernidad (IEHM). He graduated in Law, Philosophy, Comparative Literature, Political Science and Sociology and obtained a Ph.D. in Law from the Universitat Pompeu Fabra (Barcelona). He has done research in Paris, Rome, London, München, Freiburg, and the Max-Planck Institut for European History of Law (Frankfurt). He specialized in the History of Medieval and Modern Political and Legal Thought, and specifically in Legal Methodology (Erasmus, Agricola, Ramus) and in the debates about Natural Law from the thirteenth century onwards. In parallel, he has published several works on the history of universities and academic institutions, especially in the Crown of Aragon, in which he analyzed not only the legal traditions, but also the survival of the scholastic method in the Spanish Universities during the modern era. However, his most prolific field of research is Lullism. He studied especially Ramon Llull’s concept of Law and its projection in history, Lullian institutions, and the history of Lullism. With Dr. Pedro Ramis he has translated into Spanish the Visigothic Liber Iudiciorum and two legal works by Llull, Ars de iure and Ars brevis quae est de inventione iuris.
Viviana Persi – Université Lille 2 Droit et Santé – Centre d’Histoire Judiciaire
Personal page on Academia.edu
Research areas in IUS ILLUMINATUM: juridical analysis of Roman Law illuminated manuscripts
Viviana Persi graduated Archivist-Paléographe of the Ecole Nationale des Chartes in 2014 with a thesis in Legal History, under the supervision of professor Patrick Arabeyre. She studied at La Sapienza – Università di Roma (Faculty of Law and Scuola Speciale per Archivisti e Bibliotecari). Presently, she is a PhD student at the Centre d’Histoire Judiciaire (CHJ) – Université de Lille 2 – Faculté de Droit et Santé, working on a thesis entitled “La transposition du langage juridique en langage figuratif dans les manuscrits juridiques enluminés XIIIe-XVe siècles. » Her chief research interests include the history of institutions and the diplomatic edition of medieval and modern law sources, with special attention to notarial protocols, deeds, and court documents. Her research work in those fields, for which she has obtained three scholarships, was done mainly at the Bibliothèque nationale de France, the Archivio di Stato di Roma, the Archivio di Stato di Siena and the Università di Roma 3. She has presented the results of this research at several conferences, both in Italy and abroad (Max Plank Institut für europäische Rechtsgeschichte, Frankfurt, 12-17 July 2009). She is currently working on medieval illuminated legal manuscripts and has discussed the first results of her work at a seminar in the Faculty of Law of Ghent (29 March 2019).
André Vitoria – Faculdade de Ciências Sociais e Humanas (NOVA FCSH), Instituto de Estudos Medievais (IEM), Lisboa
Research areas in IUS ILLUMINATUM: The Service of Art: Literary and Iconographic Representations of the Juvénal des Ursins Family.
André Vitoria is a comparative historian of law and politics in the later Middle Ages, with a particular interest in the influence of juristic and publicist thought on legal and political practice. He is a research fellow at NOVA FCSH in Lisbon, a member of the Instituto de Estudos Medievais and the Laboratoire de Médiévistique Occidentale de Paris (LAMOP). He obtained his PhD from the University of Porto in 2013. Following this, he was a postdoctoral researcher for two years at the University of Amsterdam, as part of an international research project funded by the 7th Framework Programme of the European Commission, entitled Anticorruption Policies Revisited: Global Trends and European Responses to the Challenge of Corruption. His work in Amsterdam consisted in comparing the efforts of late medieval royal governments in France, England and Portugal to deal with the problem of corruption. His interest in exploring the tensions and compromises between an ill-defined public sphere and the myriad private interests of political actors grew from there and forms the basis of his current research, which studies the contribution of litigation at the Paris Parlement to political debate about the organisation of civic life and the exercise of public authority between c. 1450 and c. 1500. Main publications: ‘Late Medieval Polities and the Problem of Corruption: France, England and Portugal 1250-1500’, in Anticorruption in History: From Antiquity to the Modern Era, ed. R. Kroeze, A. Vitória et G. Geltner (Oxford, 2018) 77-89; ‘The Season of Show and Tell, Or How Afonso IV Redrew the Jurisdictional Map of Fourteenth-Century Portugal’, in Medieval Studies in Honour of Peter Linehan, ed. F. J. Hernández, R. Sánchez Ameijeiras and E. Falque (Florence, 2018), 449-92; ‘Two Weddings and a Lawsuit: Marriage Litigation in Fourteenth-Century Portugal’, The Journal of Ecclesiastical History 67/3 (2016) 513-67; ‘A little known version of Oldradus de Ponte’s consilium no. 83?’, Initium: Revista catalana d’història del dret 17 (2012) 169-207.
Enrique José Ruiz Pilares – Universidad de Cadiz – Research seminar Agustín de Horozco of medieval social and economic studies
Research areas in IUS ILLUMINATUM: application of Geographic Information Systems (GIS) to the book trade in order to understand the dissemination of books through Medieval Europe.
Enrique José Ruiz Pilares is a Spanish medievalist who received his doctorate from the University of Cadiz in 2017. He is currently a postdoctoral research fellow at the Institute of Maritime History and Archeology (INHARMAR) in the University of Cadiz with a project to locate the commercial and fishing communities on the Atlantic coast of the Iberian Peninsula and to map their activities. He has been a member of the consolidated research seminar Agustín de Horozco in medieval social and economic studies in the University of Cadiz (UCA) since 2008. During this period he has specialized in the application of new technologies in the reconstruction of space, especially communication routes and sea routes. He has also applied Information and Communications Technology (ICT) to Social Network Analysis. Main publications: “El papel de los matrimonios en la configuración de las relaciones de poder en las elites bajomedievales castellanas: La aplicación del Social Networks Analysis en Jerez de la Frontera (1475-1500),” Norba: Revista de Historia 24 (2011) 11-34; in collaboration with Michel Bochaca, “Un exemple de relations commerciales entre le pays de Leon et l’Andalousie au début du XVIe siècle, d’après le compte d`un marchand de Morlaix,” Annales de Bretagne et des Pays de l’Ouest, 123-4 (2016) 7-34; with Daniel Ríos Toledano, “Redes comerciales entre la Andalucía atlántica y las islas Canarias a fines de la Edad Media: una mirada a través de los SIGs,” Revista de Historia Canaria, 200 (2018) 301-311; “El paisaje pesquero de Jerez de la Frontera a finales de la Edad Media: caladeros, flota, distribución y consumo,” Historia. Instituciones. Documentos 44 (2018) 377-405; in collaboration with José Antonio Mingorance Ruiz, “La movilidad social de las naciones extranjeras en las ciudades andaluzas bajomedievales: los Adorno y la sociedad política de Jerez de la Frontera (1470-1520),” Hispania 263 (2019), in press.
Rolando Volzone – DINÂMIA’CET – IUL, ISCTE – Instituto Universitário de Lisboa, and CHAIA – Centro de História da Arte e Investigação Artística, Universidade de Évora
Research area in IUS ILLUMINATUM: Digital Heritage Methodologies. The introduction of Digital Heritage methodologies allows for a 3D digital survey of manuscripts – our tangible heritage – for documentation, preservation and accessibility.
Rolando Volzone is an Italian architect who graduated from the University of Rome – La Sapienza in 2013. He is currently doctoral research fellow at DINÂMIA’CET – IUL (ISCTE-Instituto Universitário de Lisboa), with the project “Architectures of the Soul: Proposal for the Valorization of the Eremitical Architecture and Landscape in Alentejo from the 12th to the 16th Century”. He is founder and coordinator of two seminars Architecture of the Soul (November 2017 and 2018). From February to May 2018 he was training for the European PhD degree in digital surveying using methodologies of photogrammetry and 3D laser scanning at the University of Florence with Prof. Stefano Bertocci. During this period he took part in the campaign of digital documentation of the Galluzzo Charterhouse (Florence, Italy), and in May 2018 he participated as tutor of 3D digital surveying at the international workshop Reading and Designing the Kyrenia Castle (North Cyprus). He was founder and coordinator of the International Conference and Summer School Digital Survey of Religious Architecture (July 2018). Main publications: “Il rilievo della Certosa di Firenze: Catalogazione e analisi delle celle del chiostro grande per la gestione e la valorizzazione del complesso certosino” in Proceedings, VI Convegno Internazionale sulla documentazione, conservazione e recupero del patrimonio architettonico e sulla tutela paesaggistica. ReUSO, 2018; “The Portuguese Eremitical Congregation of the Serra de Ossa: Spatial Analysis of the Monastic Settlements,” Journal of Medieval Iberian Studies (2019, in press); “The Church of St. George in the Kyrenia Castle in North Cyprus: Bringing Out the Shape of Architecture,” Proceedings of the 23th International Conference on Cultural Heritage and New Technologies (in press).